Sarah Bedi - open letter of resignation
Dear Factory,
This letter of resignation is public and posted on the website, not in an attempt to humiliate or manipulate, but in order that there be no misunderstandings about my reasons. And, I guess, as a farewell to the company.
As you know, I’ve championed and supported The Factory with every ounce of my being for the last two and a half years. I still believe that at our best, when we are at the top of our game, we are great. Truly Great.
However, as you also know, I’ve been championing female involvement for some time now. And I’m aware this has seemed confrontational and has made me unpopular. In Tim Evan’s words, he is ‘getting MORE THAN A LITTLE fed up with absurd and utterly infuriating, unfounded, comments such as "But if the Factory were to take the women in the company seriously".’
The points about female discrimination, made by myself and others, are not unfounded or absurd. I have counted the number of Factory opportunities for men and women over the last two and a half years, purely in an attempt to defend my position, as people clearly don’t believe there is an issue to even discuss. It's upsetting to see the actual figures so far.
Opportunities (This is the total opportunities for actors, directors and new writers involved in Factory projects. If an actor has been cast in two separate projects, they have been counted twice. If they have been involved in a project as a writer and as an actor, they have been counted twice.)
Men - 125
Women – 62
Supporting roles (This is the number of times in 7 recent Seagull shows, and the 5 York Hamlet shows that actors present at the show did not play a main role)
Men – 16
Women – 54
So you see. Twice the opportunities for men compared to women. Women who do make it into a squad are three times more likely to play bit parts or just watch.
There has not been a single project where the representation of women has been equal to that of men as actors, writers or directors – not even either of the genderless new writing projects.
I’m not writing this to throw s**t at the company, or hurt anyone. Just it’s the truth, and I don’t appreciate being shouted down by a management who have ignored the issue since it first came up about two years ago.
If the company puts product above and beyond squad morale, equality and open discussion, then it’s not a company I want to be in. It’s not the company I thought I joined.
This may sound ungrateful as I’ve been offered more than most by The Factory. But
this isn’t about me. It’s about the company being the best it can be.
My decision to leave is final. Not one taken lightly, and one that I really don’t want to lose friends over.
Thank you to The Factory and everyone individually for making the last two and a half years amazing.
The work and friendship have been the stuff of dreams.
Much love,
Bedi
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Nov 28 2009, 6:38 PM EST by
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Thread started: Nov 4 2009, 10:17 PM EST
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Inasmuch as I believe Sarah's reasoning and conclusions are flawed, something I will address both privately and online, I would like to echo Liam's thanks right now for all the incredible help that she has given, and all of the work that that has entailed in keeping things running as smoothly possible.
Thanks Sarah. You've been a star.
x
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By: ,
Nov 28 2009, 6:38 PM EST
Other than that, we can also provide figures, which of course, will also only paint a small part of the picture without all the possible contexts being considered, (such as male characters, who’s available to play for projects etc;) but are both objective and measurable.
They will not suggest all work has been a mathematically 50% representation of both sexes. - A point again covered in my blog, but I hope they will go some way to contextualising statements above, such as the blanket assertion of double opportunities for men than women for all work ever done.
PUBLIC WORK PRODUCED THUS FAR:
HAMLET
DIRECTOR: The Founding Associate Director of The Factory, TIM CARROLL. ASSOCIATE DIRECTORS: TAMARA HARVEY, LOUIS SCHEEDER ASSISTANT DIRECTOR: VICKY JONES SUM TOTAL OF ACTORS IN PERFORMANCES TO DATE: 24 MEN, 15 WOMEN
THE BEAR
DIRECTOR: EMMA CALLANDER CASTING FOR WEEK OF PERFORMANCES: 2 MEN, 1 WOMAN
ROUND 1
DIRECTOR: TIM CARROLL & LOUIS SCHEEDER NEW WRITING ASSOCIATE: EMMA STUART ASSISTANT DIRECTOR: JESSICA DRADER CASTING FOR THE ONE OFF-WEEK OF PERFORMANCES: 21 MEN, 22 WOMEN
THE SEAGULL
DIRECTOR: TIM CARROLL ASSISTANT DIRECTOR: JESSICA DRADER 2ND ASSISTANT DIRECTOR: LOUISA CLEIN SUM TOTAL OF ACTORS IN PERFORMANCES TO DATE: 18 MEN, 16 WOMEN
50/50
DIRECTOR: Founding Artistic Director of The Factory ALEX HASSELL NEW WRITING ASSOCIATE: FEDERAY HOLMES CASTING FOR THE FORTNIGHT OF PERFORMANCES: 13 MEN, 10 WOMEN
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Sarah Bedi - a great loss.
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Nov 4 2009, 3:22 PM EST by
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Thread started: Nov 4 2009, 3:22 PM EST
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Dear all,
I would like to say on behalf of the Factory how much it saddens us that Sarah has felt the need to resign. She has always been a hugely appreciated and valued member of the company and her skills, talent , energy and commitment will be greatly missed! We have and will continue to talk to Sarah in person about this.
On a similar note I would like to point out that the views posted in reply to the discussion about the opportunities offered to Women within the company are not those held by 'The Factory Management' as a whole and not representative of company ethos. We have been very aware of this discussion and have been trying to listen to and understand what the thoughts of the company are before responding with a clear idea on our views and how best to move forward. This of course is not an absurd discussion but one that we are now very aware of and something we hope to deal better with in the future. We welcome the discussion on this, or any topic, as the only way we can improve/change or diversify is by open discussion. There will be more from us soon on this subject and do continue to discuss - it is the point of such a forum In the meantime can I again say how dismayed we are to loose Sarah and thank her for all the time and energy she has put towards the Factory cause. More than anyone Sarah has been a core company member and I can only hope that her decision is not as final as she says. We are truly sorry to have you made her feel this way! We encourage you all to discuss such matters with us and would like to make clear that we want to be as approachable and accountable as possible on any matters that are important to our company members. We were, and still are, in the process of arranging a company wide 'AGM' of sorts for the beginning of next month to discuss such points - among many others. We'll be sending out the information within the next few weeks. All our best - The Factory
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