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Taking a selection of the writing produced through The Factory Writers Studio last year we will work on a number of those chosen pieces for a week-intensive with Tim Carroll, who is joined by Louis Scheeder.
The following week we will perform these pieces to the public.
As we only have a limited rehearsal and performance period, not all pieces written for this project have been chosen for the week-intensive, nor have we been able to cast every actor who have attended the sessions, but rest assured we are currently busy with some exciting New Writing plans for February onwards for all Factory Session Members.
We are also waiting to see what the week's exploration throws up, and nothing is guaranteed for performance until the very last minute.
All current Writers Studio enquiries should be directed to firstname.lastname@example.org
All actors involved have been contacted and respective scripts sent out for some full-on line-learning.
ROUND 1 SELECTION
AWAY - FEDERAY HOLMES
CHARITY - SAM PETER JACKSON
COFFEE - FEDERAY HOLMES
DISHES & SHIRTS - FEDERAY HOLMES
FULL DARK AND DIM - BEN HASSELL
I DESPISE YOUR... - DOMINIC ROUSE
JOHN LEWIS - FEDERAY HOLMES
LOVE AT FIRST SIGHT - ALEX HASSELL
MOTHERS DAY - ROBERT COLLINS
MR ORACLE - ELENA PAVLI
NARRATED - BEN HASSELL
OUR THREE EGGS - FRAZER FLINTHAM
OVER THE EDGE - FRAZER FLINTHAM
RED RIDING HOOD - FEDERAY HOLMES
REUNION - FAYE THOMAS
SECRETS - STEVE BLOOMER
SELF HELP - HANNAH PATTERSON
SO WHERE DID YOU MEET? - NICK HARROP
THE EDITOR - HANNAH PATTERSON
TV NIGHT - BEN HASSELL
UNSPOKEN - SUZANNE HEATHCOTE
WE ARE STARS - ROBERT COLLINS
YOU AIN'T GOT NO KNICKERS - TIM LUSCOMBE
ORIGINAL ROUND 1 PROJECT BRIEF
Each piece must be a self contained piece in one scene that runs from beginning to end and is no longer than 10 minutes.
No more than 3 characters.
No props, costume, set, LX, SFX or stage directions to be on the page.
The empty space can be transformed through the words into anything or anywhere.
Any definition of character must be in the text as the actors will not change their appearance for each role and will cross gender, ages and ethnicity.
Any information about characters, setting, time, action etc must be in the text as there are to be no stage directions and all characters could be played by anyone.
To explore and learn multiple roles in multiple plays.
To share those plays with an audience in the most truthful, free and spontaneous way having been cast moments before.
To have only yourself and the text to do so.
Latest page update: made by TimEvans
, Feb 17 2009, 4:39 PM EST
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