Is theatre always a work-in-progress? Does it become dull as soon as it is polished, or ‘slick’?
I reckon so.
The run through of Boiling Frogs yesterday was rough. But inside that small square taped on the floor, there was a lot of real work going on, and consequently, a lot of it was working.
If theatre is alive, like a human, if it is always a work-in-progress, then this play and this group of men collectively achieve their goal.
The subject matter of the play and Steve’s very acute and complex writing, are both too serious to be performed by actors who are doing any less than digging deep for their attention and their presence.
But it seems a very good and delicate balance is about to be struck; the combination of a text which deals with very serious themes and of actors who are dedicating themselves to their performance and their characters journey, rather than preaching the content of the play.
The resulting chord chimes emotion, engagement and questions in the heart of the audience, or at least it did for me.
I was reminded of something yesterday, or perhaps I learned it for the first time;
When we are afraid, or when we do not notice our fear and fight it actively – our standards begin to slide, we give our allegiance too easily, we become less discerning, our ‘moral compass’ begins to be swayed by too many factors – by more than just the magnetic poles of ‘okay’ and ‘not okay’.
However we chose to engage with the current political issues surrounding our Liberty in these bizarre times, it is this slide, which we barely notice until, it seems, we have done something regrettable, that may matter most.
Great play. Great guys. Real treat. Many, many thanks.
Portia x
MORE...
While its fresh in my head, here are my thoughts...
Firstly, congratulations to you all, I loved it. It's such a thought-provoking, powerful, articulate, funny, moving, fast-paced, strong piece!
The writing is fantastic - very clear, well-balanced and thoughtful with interesting and well rounded, believable characters. The acting was brilliant. Sensitive, affecting and extremely active - there were very few times when an actor wasn't doing something to another and that really helped to keep my attention and make it mean something. You could see that you've all done a great deal of work together on it. Actors were making specific choices and responding to one another in the moment and this despite scripts in hand/asking for lines etc.
I thought it was really well directed, it felt very exciting to watch and there was a sense of danger all the way through that i really enjoyed. The closing in of the space was very effective and although simple had a very particular effect especially once we moved back out at the end - it really made me aware of the journey of the play and forces one to look at events from a bigger perspective. I loved the way the humour was brought out and the balance of danger with comedy throughout. I think the use of costume, props, lights and sound was effective and served the play really well although wasn't sure what the things thrown down were supposed to be?
The only questionable part for me was the speech by Colin at the end. I half liked it and found it moving and a nice way to round off the play but the other half of me found it a bit annoying - as if it had been tacked on as a kind of justification or explanation of some sort. I couldn't decide whether it worked for me or not?
Anyway, thats my ramble over. Ultimately, I think The Factory are really lucky to have been allowed to work on this piece, which i can imagine seeing in any of London's main theatres (which is a great deal better than the majority of things i've paid to see in most of London's main theatres of late) and I think Steve is also really lucky to have been able to work on it with the Factory, in such a fashion, with such a great group and I look forward to seeing it again!
Katie.x
The Factory’sBoiling Frogsby Steven Bloomer14th September to 2nd October 2010- Southwark Playhouse
The rules of the game have changedInspired by the picnic protests held in Parliament Square between 2005and 2007, the action unfolds against a world of ongoing natural disasters,countless public riots, the introduction of capital punishment for terrorists andtemperatures reaching 42°.
Boiling Frogs pits a small group of imaginativecitizens against the system as, armed only with fancy dress, blank banners anda keen eye for semantics, they attempt to re-claim freedom of speech for all.
Boiling Frogs is the first full length new play to be developed, workshoppedand produced by The Factory. Performedby a revolving cast of nine Factory actors, the play pays homage to thecompany’s unique artistic ambitions whilst offering audiences a brand newproduction with a completely different performance guaranteed every singlenight...
For Bookings visit -www.southwarkplayhouse.co.uk
The Press on Past Productions
‘as unforgettable and moving as any theatre I’ve seen’The Guardian
‘a never-to-be-repeated unique moment of magic’Time Out
‘the hottest ticket in town’The Independent
‘a rare feat - incredible and terrifying’The Times
‘a theatrical coup...heart-in-the-mouth theatre, unbearably poignant,unrepeatable’The Evening Standard
www.factorytheatre.co.uk